Sunday, October 12, 2008
so above, you see an excerpt from my summer and the start of the new semester. Here you can see how the slab plates have progressed - furthering the layering of surface and working on them as whole image - then cut to individual plates. I am eager for feedback on the new work- for expediency i opted for studio shots this time. i hope they read okay.
Below is my latest technical difficulty. Crazing can be a perennial problem in earthenware - however i've never had it to this degree - where you can actually watch the water be absorbed into the clay. I haven't changed anything that i'm aware of, and it's not happening with every firing. Ideas?
Posted by critial ceramics at 8:13 PM
Saturday, October 11, 2008
Hello everyone! I’m Satoko Barash and this is my first posting on this blog.
I worked for Hoyman-Browe studio in 2005 for a few months and got to know Megan Mitchel there.
I received a BA in Studio Art from Sonoma State University in 2005 and continue working with clay at home while taking classes at Mendocino Junior College in Ukiah. I started Wood-firing with Doug Browe, Jan Hoyman and Megan in 2004 and participated in building a two-chambered wood firing kiln with them in 2006. Currently, I work in my small home studio with three outside kilns. The third kiln is a soda-kiln and I have not quite finished with its construction. I’ve been renting a soda or a salt kiln at Mendocino Art Center and firing my pieces there since 2006. Megan taught me how to fire these kilns. I took a workshop with Chris Staley this summer at the art center, also. Recently, I was accepted as an exhibiting member for ACGA: Association of Ceramic and Glass Artists in California and plan on taking part in the ACGA Palo Alto Show in July 2009. I alternate between sculpture and functional craft, feeling pulled back and forth between the two poles. I still take classes at Mendocino JC, but since I graduated Sonoma State, I don’t get much critique opportunities. I’d appreciate any feedback.
Here is a little story behind the two leg teapots: I grew up in Japan and when I was older, studied for two years in England. In both counties, tea drinking is very much a part of one’s life. When happy, tired, sad or upset, tea provides us with warmth and comfort. A teapot holds something hot, warm or cold. It is, for me, a symbol of human relationship such as family, friends and lovers, thus, “Tea party Inside a Teapot.”
Posted by critial ceramics at 8:48 AM